Elias Sime: Eye of the Needle, Eye of the Heart
Jan 24–Apr 18, 2009
Please support SMMoA by becoming a member today.
Please support SMMoA’s exhibitions and public programs.
Complete the secure form below. Tickets will be held under name provided. Fields marked with an * are required.
Step 1:Ticket-Holder Information
For international addresses, please contact us.
Step 2: Billing Information
Review your details below. Select Edit to make changes or Submit to complete the transaction.
Program Booking Confirmation
Thank you for your purchase and/or RSVP. A confirmation email has been sent to you.
PURCHASE PLACED ON
28 March 2017
Elias Sime: Eye of the Needle, Eye of the Heart
Jan 24–Apr 18, 2009
Santa Monica Museum of Art
Bergamot Station G1
2525 Michigan Avenue
Santa Monica, CA 90404
Step 4:Submit PaymentSubmit
Once your submission has been processed you will be sent an email confirmation.
Step 5:Print Confirmation
Thank you for your RSVP and/or purchase. You will receive a confirmation email.
You may want to print this page for your records. When you are done, click Close to return to the program details.Print Close
There was a problem processing your payment. Please Click the Edit button to go back and make corrections.
From January 24 to April 18, 2009, the Santa Monica Museum of Art presents Elias Sime: Eye of the Needle, Eye of the Heart, the first survey exhibition in the United States of one of Ethiopia’s most original and prolific contemporary artists. The exhibition, co-curated by Meskerem Assegued, a revered Ethiopian curator and anthropologist, and visionary theater, opera, and multi-disciplinary arts impresario, Peter Sellars, is comprised of more than 100 works in a variety of mediums, scale, and forms. A highlight of the exhibition is a series of striking thrones made of leather, wood, mud and straw, which will be integrated into conductor Esa-Pekka Salonen’s final Los Angeles Philharmonic concerts staged by Sellars in mid-April.
Elias Sime: Eye of the Needle, Eye of the Heart will be accompanied by a film by award-winning filmmakers Jonathan Dayton and Valerie Faris (Little Miss Sunshine) that will uniquely document the exhibition.
Using yarn, plastics, tattered fabric, buttons, used plastic, and bottle tops, each of the collages and stitched canvases Sime creates for Elias Sime: Eye of the Needle, Eye of the Heart represent a complete essay about the current state of his surroundings. Sime’s three-dimensional sculptures are made with traditional organic Ethiopian building materials such as mud and straw, as well as wood, metal, and other found objects, gathered in part by neighborhood children.
It was Sellars’ passion for Sime’s work that initially inspired SMMoA’s executive director Elsa Longhauser to consider the idea of an exhibition of Sime’s work. During their conversations, Sellars explained that Sime’s thrones, designed to elevate and celebrate Ethiopia’s street culture, so moved him that he was determined to feature the thrones in his production of Stravinsky’s Oedipus Rex and Symphony of Psalms, Salonen’s final concerts on April 16, 17, 18 and 19. Sime originally designed the thrones for Sellars’ 2006 New Crowned Hope Festival, a celebration of Mozart’s 250th anniversary in Vienna, Austria.
In Elias Sime: Eye of the Needle, Eye of the Heart, the thrones make up part of the installation piece Min Neber, a new iteration of a series of works in which Sime addresses the dignity, wisdom and depth of the ancient indigenous cultures that are rapidly disappearing from Ethiopia. Also, displayed in a semicircle around a small ceremonial table, the installation will include five wall sculptures, made from wood, cans, leather, and stitches, as well as a short, silent video installation documenting indigenous religious practices of small villages in Ethiopia. In Mud and Straw, small mud and straw creatures take over the gallery space. A video installation documents Sime’s construction of a Gota, the traditional grain storage container found in northern Ethiopia.
As a child, Elias Sime taught himself to sew, embroider, and repair furniture. He collected cast-off objects and materials, such as flattened tin cans, and fashioned them into his own creations. Today Sime still collects energetically–plastic shopping bags in different colors, plastic shoes, horns from slaughtered cattle–and buys some of the raw material for his work, such as buttons, at the Mercato, Addis Abeba’s sprawling central market. Just as he gathers materials for making art from the markets and streets, Simé finds the themes for his works in the streets of Addis. He documents the lives and portraits of Ethiopians living in the Cherkos Gebeya, Legaehar and Chide Terra areas surrounding Addis Abeba, where he finds most of his working materials. Sime has deep connections with the communities he documents, in particular with the neighborhood children who bring him objects they collect from the street.
Born in Cherkos, outside of Addis Abeba, Ethiopia, Sime graduated from Addis Abeba University’s School of Fine Art and Design with a degree in graphic design. His practice focuses mainly on collages, stitches, and three-dimensional sculpture. Sime has had numerous solo shows, and has participated in many group exhibitions including the Studio Museum in Harlem, New York; Peter Sellars’ New Crowned Hope in Vienna, Austria; the Dak’Art Biennale 2004, in Dakar, Senegal; and the Zoma Contemporary Art Center and the National Museum in Addis Ababa. Simé lives and works in Addis Ababa.
Peter Sellars, a director of opera, theatre and film, is renowned worldwide for his innovative treatments of classical material from western and non-western traditions, and for exploring the role of the performing arts in contemporary society and his commitment to spreading artistic vision to enact change. He has served as artistic director of the Los Angeles Festival, the American National Theatre at the Kennedy Center, the Boston Shakespeare Company and the Elitch Theatre for Children in Denver. Sellars is a professor in the department of World Arts and Cultures at UCLA, where he teaches Art as Social Action and Art as Moral Action. His past teaching positions include a visiting professorship at the Center for Theatre Arts at UC Berkeley. He resides in Los Angeles.
Trained as an anthropologist, Meskerem Assegued is the curator and founder of Addis Abeba’s Zoma Contemporary Art Center. In 2006, she curated Green Flame in Vienna, Austria, part of the New Crowned Hope Festival, in which Sime participated. Assegued has served as a selection committee of the 2004 Dak’Art Biennale, one of the largest contemporary art exhibitions in the world. In 2007, Assegued was on the selection committee for the African Pavilion in the 52nd Venice Biennale. She lives in Addis Abeba.